Imported audio ( WAV, AIFF, WavPack, MP3, OGG, REX1&2) and image (.bmp. Harmor can produce up to 516 partials per note, per unison voice, in each part (512 partials, 3 sub-harmonics, and the filter self-resonance oscillator). This enables a greater amount of harmonic control before partials are summed.

Furthermore, lots of these additive parameters can also be individually controlled per each unison voice, and the way these additive modules affect harmonics can often be changed according to custom shapes, masks, and harmonic distribution graphs in the envelope section using line editors. This means that the timbre, filters, harmonizer, phaser, equalizer, and more are all done additively.

Although the different additive modules and controls found in Harmor can look similar to more conventional synthesizers that utilize subtractive synthesis, its sound generation engine differs in that it sums its partials later in the signal chain (right before the FX stage) compared to some other additive synthesizers. Harmor is powered by an additive synthesis engine, similar to Image-Line’s synthesizer Morphine.

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